The night is staring darkly in. She sweeps between the vinyl benches, tugs at fries, the clumps of slush and wrappers wedged beneath the iron table legs. She has grown wizened in this work, in the rhythm of known things— the work of stroke by stroke, forward and back. Her figure works across the window, framing her in glass. She plucks a chicken sack from a table puddle, wet wrap and straws lifted and stuffed—then headlights blur the scene. High school kids, following the last March loss are huddled in a booth now, in between the game and tomorrow. They are soon adrift in brightly colored paper flotsam, plans articulated on the glass as if the window were a canvass and their hands brushes. She trudges forward, booth by booth, toward them. She hears them talking. On a stage, one eyebrow might arch gently toward a truth, or lower, in contempt, as if the wage for hours were the wisdom. Still, she knows none of that but, staring blankly out, she stops within their frame. A dark tableau emerges, etched on mirror glass—the rout of desire, chased by the scuffing of a broom across the timeless tiles. It might break a will to see this play in panorama. She looms above, behind, and stares beyond until new headlights stir the scene, and a slow bend begins. Now, she is pushing through the space of booths and hours and paper once again, at the soft urge of an enigmatic grace.
Reflections at McDonald’s
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